the most exquisite paradox: as soon as you give it all up, you can have it all

verypersonalscreencaps:

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ABIGAIL BRESLIN & ALAN ARKIN as Olive & Grandpa
LITTLE MISS SUNSHINE (2006, dir. Valerie Faris & Jonathan Dayton)

ALAN ARKIN (1934-2023)  🌹

tranny-cock:

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Juliette Binoche in Trois Couleurs: Bleu (1993)

ronaldcmerchant:
“Carroll Borland-MARK OF THE VAMPIRE (1935)
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ronaldcmerchant:

Carroll Borland-MARK OF THE VAMPIRE (1935)

genes-tierney:

If you understood, you could not talk of owing debt. Sam is a part of me and I’m a part of Sam, forever and ever. And it was long ago, when I was very young, that I learned that. But it was true and nothing can change it.

INGRID BERGMAN as LADY HENRIETTA FLUSKY in UNDER CAPRICORN (1949) dir. Alfred Hitchcock

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ivyrobinson:

Julie Andrews as Queen Guenevere in Camelot, 1960

stigmatam4rtyr:

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Odysseus and Calypso (1882, oil on mahogany wood) | Arnold Böcklin

s-leary:

charliejaneanders:

Every single craft has been paying “The Passion Tax” for generations. This term (coined by author and organizational psychologist Adam Grant) — and backed by scientific research — simply states that the more someone is passionate about their work, the more acceptable it is to take advantage of them. In short, loving what we do makes us easy to exploit.

Guest Column: If Writers Lose the Standoff With Studios, It Hurts All Filmmakers

If the phrase “vocational awe” isn’t part of your lexicon yet, stop scrolling and read Fobazi Ettarh:

Vocational awe describes the set of ideas, values, and assumptions librarians have about themselves and the profession that result in notions that libraries as institutions are inherently good, sacred notions, and therefore beyond critique. I argue that the concept of vocational awe directly correlates to problems within librarianship like burnout and low salary. This article aims to describe the phenomenon and its effects on library philosophies and practices so that they may be recognized and deconstructed.

Vocational Awe and Librarianship: The Lies We Tell Ourselves

I see it in every field I’ve ever worked in: publishing, open source software development, higher education. It describes pretty much every industry that relies on creativity, altruism, or both.

random-brushstrokes:

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Gustave Léonard de Jonghe - The recovery (n.d.)

jaggerbowiesextape:

jaggerbowiesextape:

can i say something kind of mean

too many people on this site claim to be into toxic love cannibalism gore blood violence weird gross sex etc etc when it’s like 1. you are scared of having even regular sex and 2. you can’t even drink a beer bc it’s too icky like i don’t think you’re gonna be chugging human blood any time soon 👍

artemisiatridentata:

anarchistmemecollective:

thatdykepunkslut:

depsidase:

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It’s not “everyone” acting like it’s normal. The majority of people know something’s wrong they just don’t have the tools to fix it. Maybe a plurality don’t know that the problem is capitalism, they blame it on something else, but they’re still aware there’s a problem. “Everyone” is just too exhausted from working 4 jobs, 50 hours a week to scream into the void in their spare time.

cartoon of a gopher pointing at a diagram of a spaceship of billionaires flying into the sun saying "Remember capitalism is working perfectly. You're supposed to be exhausted and frightened that you will lose your job and die old and homeless, it makes it easier to treat you like garbage and pay you less. If you're worrying about the rent you're not worrying about firing all the billionaires into the sun where they belong.". below is a panel with a gopher saying "Regardless of how today turned out f you the best that you could, and you can't so do any more than that. Also I love you."ALT
two panel meme of the Simpsons bus driver. the first image is him saying "don't make me tap the sign." the second image is his hand pointing to a sign that reads "let this radicalize you rather than lead you to despair."ALT

guess I gotta pull out this bad boy again huh

leatherandmossprints:

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‘Ophelia’ (detail) by Friedrich Wilhelm Theodor Heyser (1857-1921)

random-brushstrokes:

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Franz Ludwig Catel - Monks in the yard of a monastery by the sea (1856)

arsvitaest:
“Janet Fish, Kraft Salad Dressing, 1973, oil on canvas
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arsvitaest:

Janet Fish, Kraft Salad Dressing, 1973, oil on canvas

jamesusilljournal:
“ The Love of Souls, Jean Delville, 1900
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jamesusilljournal:

The Love of Souls, Jean Delville, 1900

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